{"id":1614,"date":"2017-03-10T09:00:29","date_gmt":"2017-03-10T06:00:29","guid":{"rendered":"http:\/\/www.gezenbilir.com\/portal\/?p=1614"},"modified":"2017-03-16T09:01:01","modified_gmt":"2017-03-16T06:01:01","slug":"frida-diego-yolun-yarisinda-fotograf-sergisi","status":"publish","type":"post","link":"https:\/\/www.gezenbilir.com\/portal\/frida-diego-yolun-yarisinda-fotograf-sergisi\/","title":{"rendered":"Frida ve Diego: Yolun Yar\u0131s\u0131nda Bir Tebess\u00fcm"},"content":{"rendered":"

Yirminci Y\u00fczy\u0131l\u0131n pop\u00fcler k\u00fclt\u00fcr ikonu haline gelen Ressam Frida Kahlo ve \u00a0e\u015fi Diego Rivera \u015f\u00fcphesiz ki d\u00fcnyan\u0131n en \u00e7ok tart\u0131\u015f\u0131lan \u00e7iftlerinden biri olmu\u015ftu. Sergi \u00c7iftin ikinci evliliklerini ve d\u00f6nemin sanat d\u00fcnyas\u0131yla ba\u011flar\u0131n\u0131; Siqueiros ve Orozco ile, yard\u0131mc\u0131lar\u0131 ve \u00f6\u011frencileri ile aralar\u0131ndaki ili\u015fkiye tan\u0131kl\u0131k ediyor. Sergi ayr\u0131ca Frida\u2019n\u0131n \u00e7ekti\u011fi ac\u0131y\u0131 ve k\u00f6t\u00fcye giden sa\u011fl\u0131k durumunu, \u00f6l\u00fcme yak\u0131nl\u0131\u011f\u0131n\u0131 ve \u00e7iftin son foto\u011fraf\u0131n\u0131 da yans\u0131t\u0131yor. \u00c7ekildi\u011fi d\u00f6nemdeki orijinal foto\u011fraf boyutlar\u0131yla sergilenecek eserler 3 Mart – 23 Nisan tarihleri aras\u0131nda CerModern\u2019de g\u00f6r\u00fclebilecek.<\/p>\n

\"Frida
Frida ve Diego Yolun Yar\u0131s\u0131nda Bir Tebess\u00fcm<\/figcaption><\/figure>\n

\u201cBu \u00e7ift m\u00fckemmeliyetin metaforu, t\u00fcm g\u00fc\u00e7lerin bulu\u015fma noktas\u0131 ve b\u00fct\u00fcn bi\u00e7imlerin \u00e7ekirde\u011fidir. Bu \u00e7ift, yeniden ke\u015ffedilen zaman, zamandan \u00f6nceki zamand\u0131r.\u201d<\/p>\n

Octavio Paz<\/p>\n

\u015e\u00fcphesiz ki, Meksika Sanat Tarihinin en tart\u0131\u015fmal\u0131 \u00e7iftlerinden biri Diego Rivera ile Frida Kahlo\u2019dur. \u00c7arp\u0131c\u0131 ki\u015filikleri, \u00e7a\u011fda\u015flar\u0131 aras\u0131nda yer yer k\u0131skan\u00e7l\u0131k, yer yer yer hayranl\u0131k gibi \u00e7e\u015fitli duygular uyand\u0131rm\u0131\u015ft\u0131r. Ancak d\u00f6nemin olmaza olmaz bir fenomenini yaratt\u0131klar\u0131 su g\u00f6t\u00fcrmez bir ger\u00e7ektir.<\/p>\n

Evlendikleri 1929 y\u0131l\u0131ndan 1954\u2019te Frida\u2019n\u0131n \u00f6l\u00fcm\u00fcne kadarki neredeyse yirmi be\u015f y\u0131ll\u0131k birlikteliklerine, say\u0131s\u0131z kavu\u015fma-ayr\u0131l\u0131k, a\u015fk-nefret, payla\u015f\u0131m ve sava\u015f\u0131m damgas\u0131n\u0131 vurmu\u015ftur. Bu birliktelik, XX. y\u00fczy\u0131l\u0131n ortalar\u0131nda Meksika\u2019da ki\u015fisel ili\u015fkiler anlam\u0131nda farkl\u0131 bir anlay\u0131\u015fa yol a\u00e7t\u0131; Diego\u2019nun d\u0131\u015fa d\u00f6n\u00fck ve hayalci ki\u015fili\u011fi ile Frida\u2019n\u0131n i\u00e7e d\u00f6n\u00fck ve hayalci ki\u015filiklerinin birle\u015fimi, birbirine kaynam\u0131\u015f ancak patlay\u0131c\u0131 etkide bir ili\u015fki in\u015fa etmelerine olanak sa\u011flad\u0131.<\/p>\n

Pek\u00e7ok anla\u015fmazl\u0131k ve ayr\u0131l\u0131\u011fa ra\u011fmen, birbirlerini sevmeyi ve ili\u015fkilerini muhafaza etmeyi de \u00f6\u011frenmi\u015flerdir. Ayn\u0131 \u015fekilde, bu a\u015fk eksenine, d\u00f6nemin b\u00fcy\u00fck \u015fahsiyetleri ile say\u0131s\u0131z ba\u011f, yak\u0131nla\u015fma, karma\u015fa ve derin dostluk dahil olmu\u015ftur. Diego Rivera y Frida Kahlo At\u00f6lye M\u00fczesi (Museo Casa Estudio Diego Rivera y Frida Kahlo) \u201cDiego ve Frida\u201d adl\u0131 foto\u011fraf sergisini bu \u00e7er\u00e7evede sunmaktad\u0131r. Bu iki \u015fahsiyetin payla\u015ft\u0131\u011f\u0131 muazzam d\u00fcnyay\u0131 bir nebze tan\u0131tma amac\u0131yla Yolun Yar\u0131s\u0131nda Bir Tebess\u00fcm…<\/p>\n

Ba\u015flang\u0131\u00e7ta onlar\u0131 yak\u0131nla\u015ft\u0131ran \u015fey siyasi ba\u011flar\u0131 ve sanat tutkular\u0131 idi. Evlenmelerinin hemen ard\u0131ndan ikili ABD\u2019ye ta\u015f\u0131nd\u0131. Diego kadar Frida da bu y\u0131llar\u0131n \u00f6neminden defalarca bahsetmi\u015flerdir. Diego i\u00e7in bu, kapitalist d\u00fcnyay\u0131 i\u00e7eriden tan\u0131ma f\u0131rsat\u0131n\u0131n \u00f6tesindeydi. Detroit deneyimi ve Rockefeller Binas\u0131\u2019nda iplerin kopmas\u0131n\u0131n Guanajuato\u2019lu ressam\u0131n sanat hayat\u0131n\u0131 \u015fekillendirdi\u011fine ku\u015fku yoktur. Frida i\u00e7in bu d\u00f6nem yal\u0131zca Diego ile aralar\u0131nda ba\u011flar\u0131 g\u00fc\u00e7lendirmekle kalmam\u0131\u015f, ayn\u0131 zamanda yeni bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc ile y\u00fczle\u015fmesini sa\u011flam\u0131\u015ft\u0131r. B\u00f6ylelikle Rivera sanayile\u015fme ve teknolojinin kudretini sindirirken, Frida bir i\u00e7inde biriktirme d\u00f6nemine giriyordu; k\u00fcrtajlar\u0131, t\u0131bbi m\u00fcdahaleleri ve burjuvalar\u0131n d\u00fcnyas\u0131 ile olan etkile\u015fimin izleri Coyoacanl\u0131 sanat\u00e7\u0131n\u0131n eserlerinde g\u00f6r\u00fclmektedir.<\/p>\n

Frida ve Diego<\/h4>\n

Bu d\u00f6nemde, Manuel \u00c1lvarez Bravo, Nicholas Murray ve Edward Weston gibi arkada\u015flar\u0131 taraf\u0131ndan \u00e7ekilen foto\u011fraflar\u0131n baz\u0131lar\u0131 \u00f6ne \u00e7\u0131kmaktad\u0131r. Meksika\u2019ya geri d\u00f6nd\u00fcklerinde \u00fclkedeki yenilik\u00e7i g\u00fc\u00e7lerle kar\u015f\u0131la\u015ft\u0131klar\u0131 g\u00f6r\u00fcl\u00fcyor. Bu d\u00f6nemde g\u00f6ze \u00e7arpanlar \u015f\u00fcphesiz, Tro\u00e7ki ve Andr\u00e9 Bret\u00f3n ile olan yak\u0131nla\u015fmalar\u0131d\u0131r. Her ikisinin Rivera-Kahlo \u00e7ifti ile olan arkada\u015fl\u0131\u011f\u0131 \u00f6zel bir Meksika ile tan\u0131\u015fmalar\u0131n\u0131 sa\u011flad\u0131. Tro\u00e7ki, her ne kadar sonralar\u0131 Meksika\u2019da cinayete kurban gidecek olsa da, bir yuva bulmu\u015f; Bret\u00f3n ise Fransa\u2019n\u0131n gelmi\u015f ge\u00e7mi\u015f en anlaml\u0131 sergilerinden biri olan Mexique\u2019yi tetikleyen ger\u00e7ek\u00fcst\u00fc bir d\u00fcnya ile tan\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n

Ayn\u0131 \u015fekilde sergi, \u00e7iftin ikinci evliliklerini ve d\u00f6nemin sanat d\u00fcnyas\u0131yla ba\u011flar\u0131n\u0131; Siqueiros ve Orozco ile, yard\u0131mc\u0131lar\u0131 ve \u00f6\u011frencileri ile aralar\u0131ndaki ili\u015fkiyi g\u00f6stermektedir. Sergi ayr\u0131ca Frida\u2019n\u0131n \u00e7ekti\u011fi ac\u0131y\u0131 ve k\u00f6t\u00fcye giden sa\u011fl\u0131k durumunu, \u00f6l\u00fcme yak\u0131nl\u0131\u011f\u0131n\u0131 ve \u00e7iftin son foto\u011fraf\u0131n\u0131 da yans\u0131tmaktad\u0131r.<\/p>\n

Az \u00f6nce ad\u0131 ge\u00e7enlere ek olarak, Guillermo Kahlo, Peter Jules, Guillermo Zamora ve Juan Guzm\u00e1n gibi ola\u011fan\u00fcst\u00fc sanat\u00e7\u0131lar\u0131n foto\u011fraflar\u0131 sayesinde, Frida ve Diego\u2019nun bakanlar onlar\u0131 bu yeni yolun orta yerindeki bir g\u00fcl\u00fcmseme olarak tasavvur etsin diye objektiflere g\u00f6r\u00fcnme hevesleri ke\u015ffediliyor.<\/p>\n

Magdalena Zavala Bonachea<\/em><\/p>\n

G\u00fczel Sanatlar Ulusal Enstit\u00fcs\u00fc<\/em><\/p>\n

G\u00f6rsel Sanatlar Ulusal Koordinat\u00f6r\u00fc<\/em><\/p>\n

Kaynak : CerModern<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Yirminci Y\u00fczy\u0131l\u0131n pop\u00fcler k\u00fclt\u00fcr ikonu haline gelen Ressam Frida Kahlo ve \u00a0e\u015fi Diego Rivera \u015f\u00fcphesiz ki d\u00fcnyan\u0131n en \u00e7ok tart\u0131\u015f\u0131lan \u00e7iftlerinden biri olmu\u015ftu. Sergi \u00c7iftin ikinci evliliklerini ve d\u00f6nemin sanat d\u00fcnyas\u0131yla ba\u011flar\u0131n\u0131; Siqueiros ve Orozco ile, yard\u0131mc\u0131lar\u0131 ve \u00f6\u011frencileri ile aralar\u0131ndaki ili\u015fkiye tan\u0131kl\u0131k ediyor. Sergi ayr\u0131ca Frida\u2019n\u0131n \u00e7ekti\u011fi ac\u0131y\u0131 ve k\u00f6t\u00fcye giden sa\u011fl\u0131k durumunu, \u00f6l\u00fcme …<\/p>\n","protected":false},"author":2,"featured_media":1634,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1194,1200,1199,1201,1202],"class_list":["post-1614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fotografcilik","tag-cer-modern","tag-diego-rivera","tag-frida-kahlo","tag-orozco","tag-siqueiros"],"_links":{"self":[{"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/posts\/1614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/comments?post=1614"}],"version-history":[{"count":0,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/posts\/1614\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/media\/1634"}],"wp:attachment":[{"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/media?parent=1614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/categories?post=1614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gezenbilir.com\/portal\/wp-json\/wp\/v2\/tags?post=1614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}